In short, the full version of Flash is coming to most smartphones - Android, Symbian, Windows Mobile devices, as well as Palm Pre - in early 2010. Which pretty much means they’ll really be announcing it at the next year’s MWC.

As far as Flash on the iPhone goes, the neverending saga continues. But the news is not good. From the mouth of Anup Murarka, director of Technology Strategy and Partner Development for Adobe: “We would love to see it on the iPhone, too, but it’s Apple’s decision on when and how they support any new technology. So we will continue to work on it.”

In other words, Adobe’s got absolutely nothing to announce, and we’re not only talking about an official release; they haven’t even decided whether they’re doing it or not. I guess we’ll just have to wait some more, maybe even until the next version of iPhone - preferably packing some faster hardware - is out.

SAN FRANCISCO - Apple Inc. is cutting the price of some songs in its market-leading iTunes online store to as little as 69 cents and plans to make every track available without copy protection.

In Apple's final appearance at the Macworld trade show, Apple's top marketing executive, Philip Schiller, said Tuesday that iTunes song prices will come in three tiers: 69 cents, 99 cents and $1.29. Record companies will choose the prices, which marks a significant change, since Apple previously made all songs sell for 99 cents.

Apple gave the record labels that flexibility on pricing as it got them to agree to sell all songs free of "digital rights management," or DRM, technology that limits people's ability to copy songs or move them to multiple computers. Apple had been offering a limited selection of songs without DRM, but by the end of this quarter, the company said, all 10 million songs in its library will be available that way.

While iTunes is the most popular digital music store, others have been faster to offer more songs without copy protection. Amazon.com Inc. started selling DRM-free music downloads in 2007 and swayed all the major labels to sign on in less than a year.

Schiller also announced that iPhone 3G users will be able to buy songs from the iTunes store using the cellular data network. Previously, iPhone users could shop for tunes when connected to a Wi-Fi hot spot.

The iTunes changes marked the highlights of Schiller's run as a stand-in for CEO Steve Jobs, who used to make Macworld the site for some of Apple's biggest product unveilings, such as the iPhone. Apple said last month that Jobs would not address the throngs this time because the company plans to pull out of Macworld next year.

Apple shares slipped $1.56, or 1.7 percent, to close at $93.02.

Schiller got a warm welcome from the attendees — who packed the convention hall despite the pall cast over the industry by the economic downturn — especially at the start of his talk, when he thanked them for showing up despite Jobs' notable absence. He ran seamlessly through his 90-minute presentation, getting applause and oohs from the audience, varying little from the format of slides and demos established by Jobs. And like Jobs, he gushed about Apple's products being the best in the world.

"Phil did an exceptionally good job in representing Apple," said Tim Bajarin, president of technology analyst group Creative Strategies Inc.

Lower iTunes prices were Apple's only nod to the recession — and an oblique one at that, as record labels have been asking for years to set varying song prices. Rather than an inexpensive new Mac to lure budget-conscious buyers, Schiller unveiled a new $2,800 Macbook Pro laptop with a 17-inch screen and the sleek aluminum casing the company debuted with the super-thin Macbook Air.

He also unwrapped new versions of two software packages for Macs, including the iLife multimedia programs. For instance, iPhoto '09 can recognize faces and sort photos based on who's in them. GarageBand '09 includes videotaped, interactive music lessons given by Sting and other musicians. Apple added more professional video editing features to iMovie '09.

Apple's answer to Microsoft Corp.'s Office productivity suite, called iWork, also got a makeover, including zippy new ways to add animation between slides in the Keynote presentation software. And Apple unveiled a "beta" test version of a Web site for sharing documents, iWork.com. Unlike Google Inc.'s online documents program, however, Apple's version does not allow people to edit documents in a Web browser.

Apple said the thin new 17-inch aluminum-cased Macbook Pro, which joins an existing 15-inch model, will start shipping at the end of January. Perhaps the biggest twist is the laptop's battery, which is designed to last longer on each charge — up to seven or eight hours — and work after more charges than older batteries. But like Apple's iPod and the super-slim Macbook Air, the battery will be sealed inside and the owners won't be able to remove and replace it themselves. Instead, they'll have to spend $179 to have an Apple store expert swap in a new one.

Jobs' decision not to attend Macworld sparked a new round of fears that the CEO, a survivor of pancreatic cancer who has seemed gaunt in recent appearances, was in worsening health. To put the questions to rest, Jobs said Monday he is getting treatment for a hormone imbalance that caused him to lose weight, and urged Macworld attendees to relax and enjoy the show.

And after the Tuesday keynote, in which nothing purely new was disclosed, the company's decision to substitute veteran salesman Schiller for master showman Jobs seemed even less questionable.

Workers in the media industry face either an intoxicating future or one filled with doom because of Apple's Final Cut software and unifying digitisation removing layers of complexity from their work. That's the theme coming out of a tapeless media summit in held last week in London's Soho, a centre for media production and post-production work.

That tape's time is passing was the starting point. Cameras which used to record to a tape cartridge in the camera body now record to flash cards. This is good in that video transfer from the camera is faster but bad because the flash card is not an archive medium, whereas tape is, albeit one slagged off at the seminar. The troubles with tape archives are that tapes decay and get damaged. They get stored in a vault somewhere, making them hard to get at, and the cataloguing of what's on the tape is pretty rudimentary and not necessarily high-standard.

The media tape vault is a place old clips are sent to die through lack of use, an offline video cemetery when what's needed is an old clip online reference vault.

As the cost of video-editing equipment has come down and the capabilities of commodity server-based software, such as Apple's Final Cut Pro, have increased layers of complex older technology, with machines costing hundreds of thousands, even millions of pounds, being rendered redundant. The people in the industry whose work and skills are based on this equipment face job destruction. They might as well be working in analogue camera film developing and printing. Just as digitisation swept away those jobs and trades so the same is happening in video production and editing.

With software like Final Cut, the video editing server is becoming the single window through which video editors do their work, using plug-ins to Final Cut such as Motion, where necessary. When constructing a video obituary of a rock star they don't want to have to send a runner to a tape vault somewhere. It takes too long, it's uncertain what they'll find and the tapes may not actually be properly readable when brought back to the editing suite.